Whether it’s the quirky antics of Emmett Ray (Penn) or the wonderfully, understated affection of Hattie (Morton), this movie manages to strike a chord with a host of movie audiences. The story, about the second-greatest guitar player in the world and his tragic life as a musician/womanizer, is made even more interesting by the biographical method that Allen uses to unfold the story. What is particularly interesting about this approach is to note how every person sounds almost magical when talked about by fans and others-to witness their (often) destructive lives is something far different. Additionally, Allen’s humor penetrates the film, but it is not distracting. In fact, in most places, it serves to make the “storytelling” style of the film more enjoyable to watch.
Samantha Morton’s performance as Hattie (a mute lover of Emmett’s) is absolutely superb. I find myself leaning forward towards the screen, as if expecting her to speak at any moment. Morton manages to leap along just fine without any dialogue; her performance is believable and is truly one of the most endearing aspects of the film. One feels for Emmett’s loss and tragedy, but it is nothing compared to the emotion one feels for Hattie’s character.
A fan of Woody Allen will certainly enjoy this film and those that have given up on Allen in recent years will find this film to be a nice change. Great acting, a charming story, and a modern day tragedy. All of this plus some great jazz and guitar playing make this film worth a look.
Tags: jazz, Sweet and Lowdown