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	<title>Music Movies &#187; Hard Core Logo</title>
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		<title>Hard Core Logo</title>
		<link>http://musicmovies.org/hard-core-logo.html</link>
		<comments>http://musicmovies.org/hard-core-logo.html#comments</comments>
		<pubDate>Fri, 06 Mar 2009 08:14:28 +0000</pubDate>
		<dc:creator>Jazz</dc:creator>
				<category><![CDATA[Rock Movies]]></category>
		<category><![CDATA[Hard Core Logo]]></category>
		<category><![CDATA[punk]]></category>

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		<description><![CDATA[Hard Core Logo is a Canadian mockumentary adapted by Noel Baker from the novel of the same name by author Michael Turner. Director Bruce McDonald illustrates the self-destruction of punk rock. Released in 1996, the film documents a once-popular punk band, Hard Core Logo, which is composed of lead singer Joe Dick (Hugh Dillon), fame-tempted [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>Hard Core Logo</strong></em> is a <span class="mw-redirect">Canadian</span> mockumentary adapted by Noel Baker from the novel of the same name by author Michael Turner. Director Bruce McDonald illustrates the self-destruction of punk rock. Released in 1996, the film documents a once-popular punk band, Hard Core Logo, which is composed of lead singer Joe Dick (Hugh Dillon), fame-tempted guitarist Billy Tallent (Callum Keith Rennie), <span class="mw-redirect">schizophrenic</span> bass player John Oxenberger (John Pyper-Ferguson), and drummer Pipefitter (Bernie Coulson). Julian Richings plays Bucky Haight, Dick&#8217;s idol. Several notable punk musicians, including Art Bergmann, <span class="mw-redirect">Joey Shithead</span> and Joey Ramone, play themselves in cameos. Canadian television personality Terry David Mulligan also has a cameo, playing a fictionalized version of himself.</p>
<p>The film has been frequently ranked amongst the <span class="mw-redirect">greatest movies</span> ever to come out of Canada. In a 2001 poll of 200 industry voters, performed by Playback, <em>Hard Core Logo</em> was named the second best Canadian film of the last 15 years. In 2002, readers of <em>Playback</em> voted it the 4<sup>th</sup> greatest Canadian film ever made.</p>
<p>In August 2008, McDonald stated that sequels were in the works.</p>
<h2><span class="mw-headline">Production</span></h2>
<p>McDonald grew up in the Vancouver punk rock scene in the late &#8217;70s and early &#8217;80s and was drawn to Michael Turner&#8217;s book about aging musicians. McDonald commented in an interview, &#8220;what I thought was really interesting is where it is 15 years later, and what are these guys doing now.&#8221; He had just come off the critically acclaimed <em>Dance Me Outside</em> and friends warned him not to repeat himself by making another road movie. However, McDonald did not see <em>Logo</em> as a repeat of previous films. &#8220;On the other films, they (the anti-heroes of <em><span class="mw-redirect">Roadkill</span></em> and <em><span class="mw-redirect">Highway 61</span></em> go down the road and meet a nutty person and things happened. Here you&#8217;re with the same people throughout &#8211; and they are the nutty people!&#8221;</p>
<p>McDonald had to persuade Dillon to do the movie. &#8220;He was going &#8216;Wow, what if the movie is shit, then I&#8217;d lose all my fans from the band, I&#8217;d lose all my credibility!&#8217;&#8221; The director auditioned 200 actors for the role but kept coming back to the musician. Dillon remembers, &#8220;as soon as he gave me freedom to make the screenplay more believable, I became interested. Bruce allowed me creative input and that&#8217;s what made it a special piece for me.&#8221; Dillon drew a lot on his own real life experiences of being in a band.</p>
<p><em>Hard Core Logo</em> screened at the Cannes Film Festival. McDonald remembers, &#8220;Cannes was very humbling. You&#8217;re in the same arena as Bernardo Bertolucci and Czechoslovakian pornographers. It&#8217;s such a bizarre spectrum.&#8221; The film went on to be nominated for six <span class="mw-redirect">Genie Awards</span>, including Best Picture and Director. Quentin Tarantino saw <em>Logo</em> at a film festival and liked it so much that he bought the U.S. distribution rights under his Rolling Thunder label and even toyed with casting Dillon in <em>Jackie Brown</em>.</p>
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