Pink Floyd The Wall is a 1982 musical film by British director Alan Parker based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. The film is highly metaphorical and is rich in symbolic imagery and sound. It features very little dialogue and is mainly driven by Pink Floyd’s music. Although it features a linear storyline, in many ways The Wall more resembles a long-form music video than a traditional narrative feature film.
The film contains fifteen minutes of elaborate animation sequences by the political cartoonist and illustrator Gerald Scarfe, part of which depict a nightmarish vision of the German bombing campaign over the United Kingdom during World War II set to the song “Goodbye Blue Sky”.
History
Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album’s tour, with Scarfe’s animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.
Director Alan Parker, a fan of Pink Floyd, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Scarfe and Michael Seresin, a cinematographer. Waters began work on the film’s screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Roger in the role of Pink, after screen tests, Roger was removed from the starring role; he was replaced with the edgy punk musician Bob Geldof.
Since Roger was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. Waters and Parker were not given much of a choice anyway, because the footage culled from the five Wall concerts that were held specifically for filming was deemed unusable.
During production, Geldof suffered a cut to his hand while filming the destruction of the hotel room set as he pulls away the venetian blinds. The footage remains in the film. Also, it was discovered during the filming of the pool scenes that Geldof did not know how to swim. Interiors were shot at Pinewood Studios, and it was suggested that they suspend Geldof in Christopher Reeve’s clear cast used for the Superman flying sequences from storage, but his frame was too small by comparison; it was then decided to use a similar mould for Helen Slater from Supergirl, which was a more acceptable fit, and he simply laid on his back.